beauty

Learning to see


I walked into the room and sat down in a comfy chair across from my spiritual director. The table next to us held a glass of fall flowers, the small cross that I love to hold, and, behind the candle, a small, colorful painting.
I almost always love the way my spiritual director arranges the physical space for our times of listening together. The colours, the ways the various items offer reminders of life while holding space for needed lament, and the reminder of the presence of Jesus in the midst of it all—together they offer a hospitality that helps settle me and open me up to God. But (confession time) I used to groan inside every time my spiritual director chose to use this particular painting as part of the arrangement. I couldn’t look at it without recoiling from it. I didn’t want to look at it long enough to try to understand it. I didn’t say anything. I just looked elsewhere to avoid what looked to me like a red misshapen face or a miscarried fetus, a small green face layered with distorted orange-red like a frightening Halloween mask. I quietly wondered what beauty my gentle spiritual director could possibly see in such a fearful image.
But this time, instead of turning away, I found myself turning toward it. I’d begun to notice the change in me the last time she displayed the picture. That time, instead of focussing on the fearful red, I’d seen, instead, the white face, quietly attentive to the small one. I hadn’t spent long with the image that time, but this time those beginnings of different seeing drew me in so I could hardly take my eyes from the picture. This time, as I struggled to find words to tell my spiritual director about an experience in which I’d found space to be myself and had felt loved, I ended up motioning toward the image and saying, “It was like that. Safe.” Now the image showed me the most tender scene I could imagine—the larger person with the white face holding the small one, offering a calm, steady gaze in which the child could begin to learn that she existed and mattered, and was seen and loved and safe. This time, instead of turning from the image, I turned again and again toward it, hungry for the gentleness it portrayed, and aching to feel once more the hand cupping my head and see the face that never leaves or looks away but keeps steadily loving, quietly holding me in being and making me who I am.

Intimacy by Valerie Sjodin. Used by permission Valerie Sjodin ©️ www.valeriesjodin.com.

At first, I was so absorbed by the beauty of the interaction that I didn’t look at anything other than the faces. I kept turning to see that white face tenderly looking at me, the hand cupping my head. But later, as I looked again at the painting, another surprise was waiting. The red that I’d first interpreted as death and distortion was, in fact, a heart—the life-giving love that filled the relationship. It wasn’t the love that was distorted. It was my seeing. And once my eyes were taught to see, I didn’t want to stop looking.
I could also now see, and delight in, the mystery in the painting—the flowing, fiery colors shaping themselves into the heart that frames and sustains the interaction. This is not a love that I can create or control, or even fully understand—and that is part of its beauty. It’s vast and wild and tender and freely pouring itself out to me, and never going away.
I wish I could find the words to do justice to a book I read this summer that offered me a fresh glimpse of this tender, fiery, mysterious love that takes my breath away with its magnificence. The book is called Cross Vision: How the Crucifixion of Jesus Makes Sense of Old Testament Violence, and in it Gregory A. Boyd reminded me of something I already knew: Jesus is the perfect revelation of God—a God who loves so deeply, and is so committed to our freedom and flourishing, that he stoops low to be in relationship. That relationship includes meeting us where we are and willingly bearing our sin as he not only acts toward us but lets us act on him. But God’s willingness to stoop and let people act on him did not begin with Jesus. All through the preceding history, God stayed in relationship with his people, continuing to love even when they saw him through dim eyes and could only understand his character in light of their culture around them. Like a parent with a tiny child, God let himself be understood in the only ways the child could understand him at that stage, and slowly, as the child grew, continued to reveal more and more of himself. There is no other way for a child to learn, nor, for that matter, for anyone to learn the heart of another. We have to start from what we know, and slowly, with experience, grow deeper into the truth.

. . . God has always revealed his true character and will as much as possible while stooping to accommodate the fallen and culturally conditioned state of his people as much as necessary. In his love, God was willing to allow his people to think of him along the lines of an ANE [Ancient Near East] warrior deity, to the degree this was necessary, in order to progressively influence them to the point where they eventually would be capable of receiving the truth that he is actually radically unlike these violent ANE deities.
. . . [B]y making gradual changes, God beguiled his people into the gospel, wherein it was revealed that God would rather be killed by enemies than kill them.” (Cross Vision, 73-74)

And so we are invited to look and keep looking into the face of love which is gazing on us, and to slowly learn to see there both who God is and who we are.

Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom. And we all, who with unveiled faces contemplate the Lord’s glory, are being transformed into his image with ever-increasing glory, which comes from the Lord, who is the Spirit. (2 Corinthians 3:17-18)

And now, may we each live in the blaze of this blessing which God himself commanded his priests to pronounce so that his people would always know that the face that looks upon us is one of blessing and grace and generous peace.

“The Lord bless you

and keep you;

the Lord make his face shine on you

and be gracious to you;

the Lord turn his face toward you

and give you peace.

(Numbers 6:24-26) 

For the moments you can't see clearly


Life in this world often feels like a misty afternoon on False Creek. We can only see what’s right in front of us.

Here’s to paying attention to the beauty in what we can see, and to remembering that just because we can’t see what lies beyond doesn’t mean it isn’t a firm and solid reality.

“Now faith is confidence in what we hope for, and assurance about what we do not see.” (Hebrews 11:1)
“All these people were still living by faith when they died. They did not receive the things promised; they only saw them and welcomed them from a distance, admitting that they were foreigners and strangers on earth. People who say such things show that they are looking for a country of their own. If they had been thinking of the country they had left, they would have had opportunity to return. Instead, they were longing for a better country—a heavenly one.Therefore God is not ashamed to be called their God, for he has prepared a city for them.” (Hebrews 11:13-16)

 

The One who leads us into the new year

As we climb into the car I’m awed by the delicate ferns hand-drawn on the windshield. New every morning. God strews new beauty across the world each night. Does he do it for the sheer joy of creating? Or for the joy of surprising his beloved with never-fading, never-stale love? Does he smile when I sit in awe, letting the marvel of his unfailing kindness sink deep?
We run at the park and as the sun finally peeps her face above the horizon I pause. I have to. The tiniest lights are sprinkled across the grassy field, strung up and down each blackberry vine, draped on each twig of each bush. Winter’s barrenness has been transformed into a delicate, magical fairyland, only better because it’s real. It’s as though God’s joy could no longer be contained and he poured it all out like a child with a bottle of silver sparkles, making everything shimmer with glory. It’s as though his love could no longer be contained and he sprinkled it all over everything, willing me to notice and enter into his delight.

Above photo by Dapo Oni on Unsplash. Used with permission.



Today a new year begins. At the start of a year I often sense myself drawn to a word to focus on during the year. Until now, that word has been some way I wanted to grow: courage, for example, or faithfulness. Last year, my word was trust. I’m not ready to leave that word behind. I need another year with it, or, more probably, the rest of my lifetime.
But over the past few weeks, I’ve sensed myself invited to carry a different sort of phrase with me into the new year. This phrase is not about who I am or what I need to do. It’s about who God is and what He does. Isn’t that how trust develops, after all, not by looking at myself, but by looking at God? Not by trying to create trust, but by letting it grow naturally as I keep paying attention to His actions and discover that He is trustworthy?
The phrase comes in a psalm I’ve lived in and mostly memorized, but somehow these couple of words have never caught my attention before like they have now. They come in the last verse, a sort of summary of God’s character that has been lived and noticed throughout the psalm.

“He shows unfailing kindness to his anointed, to David and his descendants forever.” (Psalm 18: 50 NIV 1989)

This unfailing kindness is not just for David, nor even just for David’s biological descendants. We who are in Christ are all now David’s descendants, grafted into David’s line as we’re grafted into Christ. And the unfailing love is not a matter of who we are anyway, but of who God is. At the heart of God’s character is hesed, that wonderful Hebrew word that is sometimes translated love, and sometimes lovingkindness, and here in Psalm 18 is translated with that phrase that has caught my attention: unfailing kindness.
Kindness: God’s love is a practical love, at work on my behalf in ways that extend beyond the essentials, overflowing into extras that will make my moments a little more special.
Unfailing kindness: I don’t need to fear that this is a honeymoon, that God’s kindness will disappear once he has me hooked. His kindness will not fail. It’s a kindness that paints even ordinary moments (if there are such things) with extraordinary glimpses of beauty, wakening me to newly painted ferns frosted on the windows and sparkles strewn across the grass. It’s mercy new every morning, touching even the coldest and most barren of places with the tender truth of his love.
It’s a kindness that arranged (even in this busy travel season with mostly full flights) for two empty seats beside mine on the five-hour Toronto-Vancouver segment of my return flight, offering space for me to stretch out and nap between a lovely but busy time with family and a return to house-hunting and packing. It’s a kindness that is going before me into the future, an unfailing kindness that I can trust even when I don’t yet see exactly how that unfailing kindness is shaping the future.
The certainty of that unfailing kindness  is freeing me to enter this new year with deep joy, trusting the truth of the words written on the front of the journal my sister gave me for Christmas, words that showed up again in a hand-written card from a friend: The best is yet to come. That statement doesn’t imply the absence of challenge or suffering. It does declare that no matter what this year holds, there is someone stronger entering it with me, inviting me deeper into his heart that beats with unfailing kindness, bringing beauty wherever he goes.

God's Art

There’s a stretch of beach near me that I’ve only recently discovered. As sunlight slowly slips around the corner, herons watch, waiting for breakfast. Ducks paddle and preen. Leaves and rocks and bits of broken shell shine in the morning sun as though awakening to a kiss, awakening once more into the miracle of finding themselves loved just as they are.





I pause there to savour the beauty. But it’s when I round the next corner that I stop. The sun hasn’t yet reached this spot, but there’s a piece of God’s art lying large as though calling me to come and look, and to look until I see not only the art but the heart of its Maker. Lying on its side in the sand, its bulk stands taller than me. Judging by its girth, this tree-giant had for hundreds of years been a living thing. Judging by its multi-layered beauty, it had then been long tossed and tumbled, sharply carved and gently caressed, honed and hollowed and hallowed and polished by the hand of God wielding waves. One night, perhaps during a fierce storm, or one morning at high tide, this giant had finally come to rest. Now it lies in a living gallery, freely offering its beauty to all who care to pause and look. It comforts me, this reminder of the grand Artist who holds me, holds you, holds this whole world and all the forces of life and death within it, and can turn it all into art.

Driftwood

Struck down, it passes through the waters,

makes its bed in the depths.

Twisted,

tossed,

tangled

in the cords of its watery grave

it is hallowed

by the hovering Holy,

hollowed by the Hand

that holds

in the deep dark

summoning

from the struck-down-but-not-destroyed

a masterpiece.

 

Each wave winds

crevice curls

wind wrinkles into kairos—

a beneath-the-surface

moment of creation,

of transformation,

of slowly-increasing glory.




For further reflection: Genesis 1:1-2; Isaiah 43:1-3; Psalm 18:4-6, 16-19; 139:7-8, 11-16; 2 Cor 3:17-18, 4:7-9; Eph 2:9-10

What (many of us) grown-ups have forgotten

DSCN7658
I sit with the friend who most intentionally helps me listen for God’s voice in my life and confess that lately I’ve been coming up against the hard truth that every single thing I’d like to be able to think about myself is not true, not the way I’d like it to be. I’d like to think of myself as disciplined, but the chocolate in the kitchen drawer could tell another story. I’d like to describe myself as gentle, but then I hear the harsh voice in my head berating me again.
She listens and questions and shares how she’s been back in the story of the little boy’s lunch again and has been realizing, That little boy probably had no idea that what he was offering was utterly inadequate. He’d simply overheard the adults asking if anyone had any food. “Here, you can have mine,” he’d said.
I picture Jesus smiling at him as he accepts from the boy’s hands the five little rolls of bread, a bit crumbly and squished, and the two small fish that have been sitting all day in the hot sun. Jesus smiles at the boy and winks, the two of them sharing a secret. The little boy smiles and winks back. He doesn’t yet know the whole secret and he might not be able to put into words the part that he does know, but somewhere deep down his heart knows the truth that the worried grown-ups have forgotten: Placed in the hands of Jesus, what I have to offer is enough for whatever Jesus wants to do with it. 
Babies hold out soggy cheerios in their newly-mastered pincer grip and toddlers extend dandelion bouquets in chubby fists with full confidence that their offering will bring delight. Only grown-ups are ashamed of their gifts.
Little children seem to know something else we adults have forgotten: It’s not really about the gift at all. It’s about the relationship. The children are offering their love, their trust, themselves, to someone who loves them. What could be not to love about that?
Jesus isn’t critiquing our soggy cheerios; he’s savoring our love and our trust.
Here, you can have me, I say to Jesus, watching him smile and open his arms to receive the gift. I can’t keep myself from smiling back.
And so during August I’m setting aside (as best I can) the part of me that thinks I always have to do more to make my gift acceptable. I’m stepping back from blogging and other writing so I can be fully present to Jesus and family and friends, giving myself rather than what I produce and polish. And while some critical adult voice in my head says, “I can’t believe you’re going to write that,” the little girl part of me that is smiling at Jesus smiling at me shrugs and takes Jesus’ hand and skips off, borrowing my parting words from Lynn Ungar’s poem, “Camas Lilies”:

                                         “. . . Gone
to the fields to be lovely. Be back
when I’m through with blooming.”